There’s no dedicated noise source, but either of the oscillators or their respective sub-oscillators can generate white or pink noise. The synth architecture of HIVE is a traditional two-oscillator subtractive setup, with each oscillator offering the usual analogue-inspired waves, unison/detune options, plus a sub-oscillator. HIVE has been developed over the course of an extensive beta testing period, lasting over a year. The result is a relatively straightforward synth by U-he’s normal standards, designed to be user-friendly and easy on processing power without sacrificing the kind of sound quality the company’s products have become known for. U-he’s Urs Heckman explains that HIVE “started off as a bit of weekend fun exploring supersaws”, but snowballed into a permanent addition to the product range. In the case of the company’s newest synth, HIVE, the USP can be summed up in a simple word: simplicity. One of the strengths of U-he’s plugin range is the way that each synth has a clearly defined speciality. With DIVA, you get an instrument designed to create vintage analogue sounds with ACE, versatile modular synthesis with Bazille, CPU-melting digital modular power. U-he follow their fiendishly complex Bazille synth with a much more straightforward plugin.
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